Psychoanalytical - Bin Labelling

During the production of my psychoanalytical film one thing I needed to do was label all of my footage so that it would be easily accessible during the editing process, as  would need to quickly locate and distinguish between different shots whilst editing.

All of these shots show the process of how I renamed all of my footage to something recognisable and easily accessible so that during the editing process I could quickly use the footage I needed during editing, also I kept all of the footage within a single folder so that I could easily find all of it and it would all be instantly available to me when editing, since I would not have to search through different bins on the editing software.

Recording Sounds with a Dictaphone

    For my Psychoanalytical film I decided that as part of it I would use exaggerated diegetic sounds within certain scenes to try and enhance the feeling that the visuals would be giving. In order to actually enhance the diegetic sound I would need to record the sounds I intended to enhance that are made by certain actions that would occur in the film e.g. a door opening, the sounds would then need to be enhanced or modified and added into the film. One method of obtaining these recorded sounds is to use a dictaphone, which can record sounds at close proximity. Once the sounds are recorded they can then be modified and enhanced then edited into the film at a later point to exaggerate the diegetic sound within the film. One problem with this however was that I had never used this piece of equipment before and it was rather awkward to use at first, even after reading the instructions on how to use it, the buttons were somewhat confusing and it took me a while to figure out how to begin recording sounds and playing them back, as I didn't realise that the record button needed to be pressed twice to actually record as pressing it just once only gives a preview of what the recording will sound like. I also had problems whilst recording as I was unaware that the volume on the dictaphone needed to be turned up quite high as it affected how loud the recording would be so that set me back trying to get the right volume as I had to constantly re-record sounds that were too quiet, as well as having trouble hearing the sounds unless the volume was turned up even while I was wearing headphones when using it.

 Even with the initial problems with using the equipment, after a few attempts and practice with it I quickly learned how to use it properly and I managed to record the majority of the sounds I required for my film, I will be using these sounds as enhanced diegetic sounds within my production as an aid to the visuals of the film. The use of the Dictaphone was actually quite easy once I figured out how to record the sounds and navigate the digital menu system, also once I knew about how to adjust the recording volume it made acquiring the sounds much easier and by using headphones I could hear what the sounds being recorded much clearer. Another issue with the Dictaphone I found however, was that the SD memory card that was provided with it was somewhat "defective" as it didn't register as being an SD card when inserted into the Dictaphone so I couldn't record anything onto the card as it didn't register that the card had even been inserted into the device. The issue was resolved however as I needed to simply replace the SD card with my own from a digital camera which ended up solving the problem as it registered the SD card this time and created a separate sound folder in the cards memory so I was able to record the sounds I needed.

Sound List

Sound List

This is a list of sounds that will need to be recorded for use in my psychoanalytical film; they will be used to exaggerate the diegetic sounds in order to enhance the audio of the film. These sounds will aid the visuals of the film by exaggerating the sound of the actions taking place during the film.

• Running water
• Water hitting metal
• A pen being used to scribble on paper
• A door being opened and closed
• A clock ticking
• The sound of a book being placed on a shelf
• Footsteps on carpet
•  Someone biting their nails
•  Plates/cutlery being placed on a draining board
• The sound of something being scrubbed
•  Sounds of objects being moved on a wooden surface
• Someone drumming their fingers
•  Someone washing their hands
•  Paper being ripped
•  A sticky note being placed on a surface
• Traffic
• Natural sounds e.g. birds/wind
• Sound of paper being shuffled
• The sound of a light being turned on
•  Sound of Coughing or scratching

Psychoanalytical Film - Production Log

Production Log

0-5 seconds: The initial first shot of the film will be of the sky will be used as an opening to the film. The shot will focus on the sky during daylight. There will be no non-diegetic sound during the start of this shot but there may be some exaggerated diegetic sounds that would seem natural such as birdsong or the wind. The camera will then proceed to tilt downwards into the next shot.

5-10 seconds: An Establishing long shot of the exterior of the characters house to show the general location of where the narrative will take place. This shows where the character lives before the character is actually introduced and where most of the narrative will occur. There will be no dialogue or voice over as of this point as the visuals will be introducing the scene; however there will likely be some exaggerated diegetic sounds such as traffic going by or natural sounds such as animals that will help the visuals tell the story. The mise en scene will be centered on the house/ building, focusing on the buildings appearance e.g. its parallel lines/ symmetrical features to try and express a notion of neatness/order as a slight introduction to the films themes.

10-15 seconds: This will be a cutaway to the exterior of the characters room in order to lead into the characters introduction, this shot will be the starting point for the narrative as it will lead into the next shot, the interior of the room. As for sound there will still be the exaggerated diegetic sounds of animals/traffic. The mise en scene will be a still shot that includes the most part of a window frame, looking into the characters room; the camera will be placed to frame the window in the center of the camera, so it appears that the camera is essentially looking into this characters life.

15-20 seconds:  Interior shot, mid shot of characters room to show basic layout of the room. The camera will be focused upon the character, looking at them from behind, the camera will then cutaway to show they are writing on a scrap of paper at a desk, everything on the desk is neatly organized and placed, with the paper centered in the middle of the desk. The paper will have the title of the film scribbled on it in a very rough handwriting. There will be exaggerated diegetic sound of the pen writing on the paper during these shots to empathize the rapid scribbling on the paper.

20-25 seconds: Cutaway shot of some of the most prominent things in the characters room e.g. desk, bookshelves, TV, bed etc. These quick cutaways will only briefly show these items to show a greater depth of the characters room, and to also show the extent to the characters neatness/organization such as all of their books, DVDs and games being in alphabetical order for example. Also there will be no sound at this point, relying completely on visuals.

25-30 seconds: Close up shot that focuses on the objects in the characters room e.g. a bookshelf, the camera will focus on the object and will tilt and pan to cover every aspect of the object. However with the camera now focusing in more detail it will show small sticky notes attached to certain parts of the object with minute details about the object or where certain things should go on it e.g. the note has a reminder for where a book goes into a specific place on the shelf, showing the characters obsession with neatness/order. There will be no sound or dialogue, again focusing mainly on visuals for this shot. The mise en scene will show the entirety of the bookshelf but will then focus on certain aspects of it in more detail.

30-35 seconds: Close up shot of a different series of objects within the characters room, this shot will show perhaps there DVD collection in an alphabetical order, all of them placed neatly on a shelf or on a desk, the camera will tilt and pan downwards to see all of the titles in their alphabetical order, to finally tilt down and show another note detailing an allocation films in a certain section of the shelf/desk e.g. A-K and L-Z to further show the characters obsession. There is the possibility of using some faint diegetic music in order to begin aiding the visuals as this shot goes on. The mise en scene will be the desk/shelf where the objects e.g. DVDs are kept and they will all be placed in alphabetical order next to or piled up together, the camera will initially focus on the first title then will pan/tilt to reveal the rest of them until it reaches the note showing the exact order of the objects as a means of showing how far the character goes to be organized even with simple things.

35-40 seconds: Close up shots of more notes attached to the walls of the characters room, the camera will quickly cut between them to show the multitude of notes that are stuck to the walls and furniture of the room. Each of the notes will have something different written on them and include simple reminders and messages that the character has written for them.  During these shots the diegetic music in the background will still be playing, although it will be faint and quiet, to aid the visuals as the shot goes on. The mise en scene will include various amounts of notes attached to the walls and furniture in the characters room, and each one will include a different message or reminder.

40-45 seconds: Mid shot of the character getting up from their chair to walk out of the room, the camera is placed behind them to view them as they leave, the camera will then cut to a close up of them from either the side or front as they leave the room, the camera will pan and focus on them as they move. The camera will continue to focus on them until they have left the room

45-50 seconds: Close up of a note attached to a bookcase, detailing the name of a specific book, that the character is to purchase/read, the note will be complete with pricing details and reference numbers, the camera then cuts to a shot of a space on the shelf where It will be placed, the camera will then cut to a mid-shot showing the character return to the room, and they stand in front of the bookcase.

50-55 seconds: The camera will then focus on the character as they proceed to rearrange the shelf, constantly checking that everything is in order, tapping the lengths of the books to ensure they are all even and straight, making sure they are in line with one another. Quick cuts between these actions will be used to speed up the pace of it and the camera will constantly be close up to view these obsessive actions.

55-60 seconds: The camera will use quick cuts between the previous shot and the characters face; they are nervously biting their lip and/or nails in frustration whilst rearranging the books. The camera will constantly keep cutting between the two shots to show the characters reaction to how they rearrange the shelves. This is to show their obsessive/compulsive tendencies towards maintaining their surroundings.  

1:00-1:05: The camera will then cut to a mid shot of the character kneeling/standing in-front of their bookcase, observing it quickly before standing up to walk away. The camera will be set at a low angle and will tilt upwards as they stand, proceeding to pan as they move away. The mise en scene will show the character at the side of the bookcase and everything in the background such as the characters TV and some more of the notes on the walls.

1:05-1:10: The camera will then show a mid-shot of the character as they begin to walk out of the door to their room and into the hallway, the camera will be facing the subject as they walk out of the room and just as the character is about to go out of the frame, it will cut to the next shot.

1:10-1:15: The camera cuts to outside the characters room in a narrow hallway and watches as the character proceeds to go downstairs. The camera will remain static as it watches the character walk away. There will not be any diegetic or non-diegetic sound during this point, relying on the visuals during the apparent change of location. The mise en scene will simply be an empty hallway that the character walks down

1:15-1:20: The camera moves to a high angle that watches as the character move down the stairs to the ground level, the camera remains at the top of the stairs until they reach the end of the stairs. Similar to the last shot there will be no sound present in the shot, only visuals as the character descends the stairs towards the next location.

1:20-1:25: The location has now changed to the characters kitchen, to show another aspect of the characters routine, the character will approach the sink where a single object is placed on the edge or within the sink, the camera will go to a close up of the object, and will cut to various parts of the sink. There will be exaggerated diegetic sounds as the character begins to use the sink such as the clatter of metal and water running.

1:25-1:30: The camera will then move to a close up of the character beginning to clean the objects within the sink, focusing on the process that they begin to work through to clean the object. There will be cuts between the character and the objects as they clean.

1:30-1:35: Close up of the characters hands as they constantly rub and wipe the object in their hands as they clean it repeatedly, showing their compulsive actions. The object and the characters hands will be placed in the center of the frame to make it clear of the characters movements and what they are cleaning.

1:35-1:40: The camera will then focus on the character as he sets the objects down once they have finished cleaning them, it will move into a close up as he places each object, in a very precise manner and keeping each object a certain distance away from each other and keeping them ordered. There will be enhanced diegetic sound as each object is set onto the counter to exaggerate each sound as the objects are placed.

1:40-1:45: it will then cut to a close up of the character as they then proceed to vigorously clean their own hands, constantly scrubbing each hand and finger, the camera will then cut to the characters face to show them performing the same anxious biting of their lip as in previous shots to show their frustration at performing certain actions.

1:45-1:50: The camera will then cut to a close up of a clock face to suggest a passing of time, the clock will be set at an exact hour at which the character will be standing in front of it, once they have checked the time they will turn and walk away from it. Close ups will be used to show the clock face and then cut to another close up of the character from the side as they check the time, which will then cut to a shot looking at the character as if from the clocks perspective.

1:50-1:55: The camera will cut back to the stairs and watch as the character ascends them, this time the camera will be at a low angle whilst they climb the stairs upwards and will then cut to the next shot. The camera will center the subject within the frame so they are set directly in-between the two walls running the length of the stairs.

1:55-2:00: Another shot of the character as they walk towards their room, this time the subject will be walking towards the camera, but the camera will still be placed at a low angle to the subject as they approach. The camera will remain focused on this shot until the character has moved out of the frame.

2:00-2:05: The camera cuts to yet more notes that are scattered along the rooms walls, except this time it will now focus on a particular note that the character then proceeds to cross out, the camera will cut to a close up as the character does this. The enhanced sound of the pen they use to mark out the note will be used as the character slowly does this.

2:05-2:10: The character will then go back to their desk and sit down, the camera being placed behind them for an over the shoulder shot whilst they are at the desk. The camera will then watch as they write out yet more notes to be attached to the wall, the camera will cut to close ups while they are writing these notes.

2:10-2:15: The camera will then go to a close up as the notes are attached to the wall, showing what the character has written on them. The camera will frame all of them in the center of the wall so that they are all clearly visible and what’s written on them is legible. The camera will then cut between a variety of notes on the wall to quickly show what is written on them before cutting to another.

2:15-2:20: It will then cut to an overhead shot of the desk, and then quickly cut to a close up of all of the objects on the surface, showing that a few of them are misplaced, in an awkward position or are just unorganized e.g. a book is slanted or there is a mass of pens in the middle of the desk, the characters laptop is taking up most of the desk etc. Close ups will be used on each individual object to outline the unorganized manner in which they are set on the desk which will lead onto the next shot.

2:20-2:25: The camera cuts to another close up of the characters face; again they are biting their lip/nails in frustration at the site of the unordered desk, this repeated action is to show the characters reactions to things that are unordered within their own environment, their obsessive/compulsive tendencies towards their room.

2:25-2:30: The camera will then cut to a shot of them rearranging their desk, straightening and placing the objects on the desk in order and ensuring that everything is neat and organized, the objects on the desk will include, dvds, pens, paper, their laptop, notes and messages. The camera will quickly cut between these objects as they rearrange them on the desk into a more organized placement.

2:30-2:35: This shot will again be showing the character rearranging the desk as they continue to organize the objects that occupy its surface, quick cuts being used to show the multitude of things that are being moved, the character is rearranging these objects into a neat and organized manner on the desk and they are constantly checking that everything is kept in order.

2:35-2:40: This will be another shot of the characters face showing their frustration again at the organization of the desk but will however change into the character smiling as they finish what they are doing; the camera will not move from its position and will focus mainly on the lower half of their face.

2:40-2:45: The camera will then cut to a shot of the desk with everything on it being arranged and adjusted neatly so the desk looks tidy. The camera will be at a mid-shot and will frame all of the objects on the desk within the shot, so that the assortment of objects is visible.

2:45-2:50: The next shot will be a mid-shot of the top of a set of drawers where more objects are arranged, this time they will be personal items and accessories such as the characters mobile phone, wallet and keys etc. that can all be placed in the characters pockets or on their body.  All the items will be neatly arranged and lined up with a note next to it labeling its position on the surface.

2:50-2:55: The camera will go to a close up of each object next to its label on the furniture’s surface, showing the precision of which the object has been aligned and ordered. The camera will go to a close up of the first object and will then either cut or pan towards the other objects.

2:55-3:00: This shot will still be showing the objects aligned on the drawers surface and will cut to each object in a specific order to show how the character has arranged them, the camera will then cut to a mid-shot of the character standing in front of this surface.

3:00-3:05: The camera will then cut to a close up of the character picking up these objects and placing them on their person in the order they are arranged on the surface e.g. the first object is their phone so they pick up that object first, the character will do this with each object in the order they are arranged.

3:05-3:10: The camera will keep cutting to close ups of the character picking up each object and placing it on their person, the camera will cut to a close up of the object and then the character placing it on them. This process will repeat until all of the objects have been picked up.

3:10-3:15: The camera will cut to a mid-shot looking at the character from behind after they have gathered the objects, they will turn towards the camera and walk towards it and then out of shot, leaving their room.

3:15-3:20: Another shot of the character walking down their stairs, again the camera will be placed at a high angle to watch them as they descend. This shot will center the character in the frame as they descend the stairs, it will then cut to the next shot.

3:20-3:25: This shot will show a close up of a line of hooks with coats hanging from them at the bottom of the stairs where the character just descended, the camera will pan the length of the line and will then show the characters hand reaching into the shot to take one from its hook.

3:25-3:30:  The camera will cut to a mid shot of the character as they begin to put on the coat they have just taken off from the hook, and as they put it on to leave through their front door, the camera will then quickly cut to a close up of the character as they leave through the door.

3:30-3:35: A close up of the character after they have left their house as they close their front door and begin to walk away from the house, they will close the door and will then begin walking down the path in front of the house which will then cut to the next shot.

3:35-3:40: A long shot of the character walking away from their house along the path leading out onto the road/street, the camera will stay focused on the character until they go out of shot and will then tilt upwards to look up at the sky to mirror the opening shot. 

Film Analysis - Short Film "Right Place"

This is a short film which I decided to look into as research for my psychoanalytical study, it concerns a  young man with OCD (Obsessive Compulsive Disorder) working at a small supermarket. The film focuses on his condition as it renders him unable to leave anything out of place or unordered and shows various quick shots of him constantly checking and rearranging shelves, even if customers are in his way. This also leads him to follow a few customers rearranging the shelves as they go along, such as making sure every item is facing outwards and is a set distance apart from each other and appears tidy. This continues until he comes across a female shoplifter in which he grabs the item she was about to try and steal and places it back on the shelf and sets about in rearranging the shelf it's on, then when he turns to reprimand the woman he notices the woman has socks that are uneven so without even thinking he kneels down to straighten them out to make them both the same height. This event leads him to be slammed against a wall by his supervisor in which even as he is being yelled at he cannot stop himself from straightening his bosses glasses as they are slipping down his face, which ends in him being fired and forced to look for work elsewhere, and he ends up seeing an advert for a bonesetter at a museum which could actually make use of his obsessive tendencies.

The film focuses heavily on the characters obsession to keep things ordered and perfect, his obsessive drive to try and control his environment and keep it in order. This is shown constantly thought he quickly edited close up shots of the man rearranging shelves and items within the supermarket, and shots of his face reveal his annoyance when things are taken out of place and are not properly replaced. His obsessive drive also leads him to perform actions that would be considered socially abnormal such as him almost instinctively reaching down to adjust someones socks if they were uneven, and also even when he is being punished his obsession takes over his actions as he adjust his bosses glasses for him. The film also uses a non diegetic music soundtrack that seems very rhythmic and is timed well with the quick close ups while the character indulges in his obsession, although the music does seem clunky and doesn't really fit well with the setting of the film even though it does fit with the character as the music seems very ordered and repeats itself.

Psychoanalytical Film Ideas

Idea 1

Taking inspiration from films like the Machinist and Memento, I thought of a short narrative about a person who is constantly over planning/ thinking the things he does in his daily life, leaving notes and lists for himself everywhere either in their room or house to remind them to do things everyday, to the extent where the leaving of the notes becomes obsessive and they start noting down everything that they do and need to do. It could centre on just a few moments of his life or even a full day if condensed down enough as I would only have 5 minutes to film, I could use rapid quick shots to show all of the notes, reminders that the character leaves themselves. One of the things to consider is available space because if the entirety of the film will take place in one room then the size of the room must be taken into account, if the space available is larger however then this won't need to be considered as much. Another thing is what would be written on the reminders, it could either be simple mundane things like "go to work" or it could be incredibly specific things and these specific notes could mention minute details such as perhaps the exact amount of pages to read in a book, to show the obsession of planning and organising the characters life. The thing about this idea is that it would be very achievable as it could only use 1 actor and only more if needed also it would be focused in a single area so locations would only be a problem if it was somewhere where I would need permission in which case I would need release forms to be signed, although I would be able to get all of my footage from that one location if I'm choosing to centre it on one characters life and how they organise it so the location would only need to be their place of work or home. Also this idea could give me the opportunity to use various kinds of editing techniques to make the film more interesting or give it a sense of pacing e.g. by using long shots and slow cuts, the film would seem to run quite slowly but then I could speed up the pace by making faster and faster cuts and editing showing more different shots of the subjects to give the film a faster pace. As for dialogue options I thought that if I went through with this Idea I would mainly use a voice over to describe the situation when needed and would probably just use the visuals to tell the story, the voice over could just be used as a backup means of describing the narrative.

Idea 2

Again taking inspiration from the Machinist but also partly from Fight Club as well I thought of an alternate idea for my psychoanalytical film, it would mostly focus on Freud's theory of the ego, id and super-ego where the character would have a split personality as his id or super ego would manifest itself. The narrative could revolve around the character slowly losing his mind through insomnia such as in Fight Club and the Machinist, the character could be facing some personal guilt after possibly committing a crime and is repressing his memory of it, causing his id or super-ego to surface and manifest itself. The narrative could become circular such as in Memento, where the character is in a constant cycle that they can't break due to their unconscious preventing them from doing so until they have realised their guilt. In terms of actors I would most likely need to recruit at least 2 characters one to play the main character (ego) and another to play their id or super-ego, also I may need to have sub characters included as well to possibly add to the narrative structure, although at least two actors would be needed to play the main roles, possibly people who look like each other or perhaps the complete opposite for a better effect and comparison between the ego and id. One difficulty might be managing to complete this within a 5 minute run time as I would need to make the narrative progress very quickly, also locations may be a problem as there is the possibility I may need a location that requires permission such as a bar which would prevent me from filming in that location. As for dialogue options it would be easier to use a voice over to tell the story and also use the visuals to my advantage as the dialogue would need to be very scripted in order to give it meaning and the actors would need to be able to deliver it without any problems, so either the use of a voice over or simply using non diegetic music and letting the visuals show the narrative would be a more effective approach.

Film Analysis: Memento

Memento (2000) Director - Christopher Nolan

Memento is a Thriller film directed by Christopher Nolan that I decided to watch as added research into how Psychoanalytical theories can be applied to film. The film features a non linear narrative that focuses on the themes of memory and self deception, Since its narrative is non linear it has a major focus on the theme of memory as the film consists of two story lines, one shot in black and white which is played in chronological order and one shot in colour which is played in reverse and at the end of the film the two narratives converge on each other to conclude the narrative as a complete story.

      The narrative follows Leonard Shelby who suffers from anterograde amnesia which impairs his ability to create new memories and lives his life based on a recollection system using hand written notes, tattoos on his body and polaroid photos so he can remember new events, the most important events needed to remember he tattoos on his body. Leonard is trying to find and murder the man who raped and killed his wife as an act of vengeance, simply known as "John G" which he has tattooed on his chest to remind himself of his purpose, he tries to connect a series of clues which he discovers from various people, including an undercover cop known as "Teddy" and Natalie a barmaid working in the town where he is staying. Throughout the film Leonard is constantly telling the people around him about his condition as he can't remember telling them before, which leads people to take advantage of him in certain situations, which adds a bit of humour to an otherwise serious film. The use of the converging story lines in this film are a very interesting form of narration as the start of the film turns out to actually be the end of the film, as it is being played in reverse, the events that are occurring happen due to what happened previously, which are then shown afterwards in the next sequence, so everything is being shown in reverse order. Whereas the sequences in black and white are shown in chronological order, so the sequences in colour are being played in reverse, the black and white sequences are being played from the start and as the film goes on these two narrative sequences eventually converge to create the whole story so that all the events link together. Over the course of the film during the sequences in black and white, Leonard is constantly talking about a man named Sammy Jankins, he is recounting the story about how Sammy suffered with Anterograde amnesia the same condition Leonard now suffers with, who he met when Leonard supposedly worked at an insurance company and was investigating a claim made by Sammy's wife, he recounts how he could not offer them any insurance as his condition was not psychical and so couldn't help them. Which according to Leonard led Sammy's wife who was diabetic to test him by making Sammy inject her daily insulin more than once resulting in lethal levels of insulin, since he couldn't form new memories he didn't realise what he was doing and subsequently killed her through overdose, and he was later put in a mental institute, Leonard is constantly telling this story to people and even has "remember Sammy Jankins" tattooed on his wrist, as it reminds him of how this condition affects him, and also helps him manage his recollection system as he recalls that Sammy didn't have one and that's what went wrong.

       The most prominent psychoanalytical aspect of this film is the theme of memory and drive, Leonard's condition causes him to lose all recollection of recent events and cannot process new memories which leads him to go to sometimes extreme lengths to remember important facts by tattooing them on his body. Leonard's condition causes him to need to develop a system of recollection techniques, such as tattooing himself, taking pictures of the people he meets and the locations he visits and also obsessively writing down notes, these actions take over the role of his memory as due to his condition he cannot remember the most recent events so these notes and pictures take over that aspect, he even states that "you can't trust your memory", as he thinks memories can be unreliable and can be mislead whereas his notes,images and tattoos are facts that are solid proof to him, so he cannot forget them. Another theme within the film that can apply psychoanalytical theory is the theme of drive and desire, Leonard feels that his purpose in life is to avenge his wife and kill her murderer so he is driven to hunt them down, using his recollection system by gathering information about her killer to help him search. However as we discover later in the film Leonard has already succeeded in hunting down and killing the man who attacked his wife, although without the desire to murder his wife's attacker anymore he would have nothing to drive him forward and have no purpose in life, so Leonard burns the picture he took after he killed his wife's attacker, as an attempt to give him a sense of purpose in life, to continuously hunt down a man who had already died. Due to his condition he would forget that he had ever killed anyone once he burned the evidence of him doing so, meaning he would continue to pursue "John G" even though he had already succeeded, even Teddy states that "John G" is a very common name and that even his real name was John G, so Leonard could continue hunting forever, although he would be killing innocent men because of his amnesia he would forget he had ever done anything wrong, and every time he succeeded he would feel momentarily at ease and happy, but then he would forget and continue to pursue a now non existent enemy.

  I feel that this film ultimately focuses on a much more varied and common theme than other films I've studied, as the theory concerning drive and desire can apply to various things and can involve peoples obsessions, fantasies and inner most thoughts and this makes for a more interesting film. Whilst watching this it was initially quite difficult to understand the narrative due to the converging story lines, but as it all linked together in the end I felt that once it reached its conclusion the narrative made sense to me, the use of the non linear narrative sequences being mixed with the chronological black and white sequences made the film a very different experience, as I found it was hard to determine which section of the film came first, which I think adds to the films atmosphere as it was certainly interesting to discover the chain of events as they unfolded.